Pas à pas : Pique à cheveux – Par Armelle Burbaud

11187278_959719057406326_1372315045250571755_oJe suis très inspirée par l’Art nouveau en ce moment. Je trouve que ce style convient très bien aux
pâtes de métal et en particulier au bronze, métal que j’adore et qui a été beaucoup utilisé durant cette période. J’ai notamment fait plusieurs peignes et piques à cheveux inspirés par ce style. Voici le pas
à pas de la toute dernière pique que j’ai faite, pour laquelle j’ai utilisé un décor un peu différent lors
de la réalisation des photos de ce tutoriel.

 

Art Deco Inspired Hair Pin- by Armelle Burbaud

11174505_959719010739664_2806298429348475949_oMy present inspiration comes from the Art Nouveau period/movement. I find that this style is very suited for metal clays, in particular bronze, which I love and which was very frequently used during this period. I have made many combs and hair sticks inspired by Art Nouveau. Here is the step-by-step of my latest hair-pin.

(Translation from French by Angela Crispin)

 

Ancient Copper Medallion By Gail Lannum

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Inspired by ancient medallions that have survived centuries, artist Gail Lannum shows how to create a brass component that is sure to shine in your jewelery creations!

The “Oh!” Cone Ring By Angela Crispin

Crispin_Oh!RingHand Crispin_Oh!RingOpen The “Oh!” cone ring by Angela Crispin appeared in our very first issue of Metal Clay Artist magazine.  We were delighted to see Angela’s ring go on to win a Saul Bell Design Award.
It is only fitting to re-launch our project pages under the sponsorship of Mitsubishi Materials Trading Corporation with this elegant project.

Project and Images by Angela Crispin.
Editing by Margaret Schindel and Jeannette Froese LeBlanc

Lava Ring by Angela Baduel-Crispin

This unisex ring has a slightly rough, masculine look and can be a great gift for a man. It has a firing temperature adapted to allow Art Clay™ copper to sinter while being fired together with fine silver, in a way that is safe for both metals. 

The advantage of using a commercial fine silver ring liner is that it guarantees strength and avoids direct skin contact with the copper when the ring is worn. Using a manufactured ring liner instead of making your own fine silver flared ring shank also saves you time.

A fired silver clay ring shank can be used, if you prefer, but it should be sturdy and fired for 2 hours at 900°C regardless of the brand of clay used.
It is important to fire only unequal amounts of copper and silver (i.e. unequal mass), because firing copper and silver of equal mass together tends to make them alloy (see “Caution” at the end of this article).

Co-firing silver and copper clays: In general, it is possible to fire copper and low fire silver clays together successfully as long as they are not in equal amounts (so they don’t alloy) and as long as the temperature is adjusted to suit both clays. For silver ring shanks, however, co-firing silver and copper clays is not recommended. The short (30 minute) firing time required for the copper clay, which helps to reduce oxide build-up, can compromise the strength of the silver clay band (which should be fired for a full 2 hours at 1650°F), while firing the copper clay for longer than 30 minutes produces a thicker layer of copper oxides on the surface, reducing the thickness and strength of the copper metal after the oxides are removed.

Artist Project Series: Nesting ring by Tracey Spurgin

 

Nesting Rings

Level: Intermediate

UK Jewellery Artist Tracey Spurgin is the next master to present in the “Artist Project Series” proudly presented by Cool Tools.  Tracey has challenged metal clay artists to create a nesting ring and shows us step by step in close up photos how to create two beautiful rings. This Nesting Cocktail ring is a stunner, the design allows you to wear each of the two rings individually as a stand alone, or simply nest them together to make one statement cocktail ring.

Materials:
EZ960 Sterling
1 fireable square 6mm gemstone
8 x 1mm fireable faceted gems Continue reading…

Artist Project Series: Creating A Vessel Pendant By Janet Harriman

 

Many times we set out with an idea of how we expect a project to turn out.  In this article Janet Harriman takes you through her plans and what she expected and how she repaired and recovered her piece.  Thank you to Cool Tools for sponsoring this project.

I had a young apprentice who insisted that I try silver metal clay. As a metalsmith with a fine arts background, I was a snob. But just for fun I did try the clay, worked with it for years and then I ended up demonstrating at the National PMC conference at Purdue University. Metal clay is a tactile pleasure. It is magic. Continue reading…

Artist Project Series: Dino Bracelet by Gordon K. Uyehara

~ Cool Tools and Creative Fire are proud to present another project in this series by Gordon K. Uyehara.  Gordon’s work is always interesting and his projects are sure to inspire artists from all levels.  Having a chance to look over the shoulder of Gordon as he works is a treat for metal clay artists worldwide. 

Dino Bracelet by Gordon K. Uyehara
What does one do with two leftover pieces of double-knit Viking weave chain? Dig it out of the drawer after many years and make a bracelet. I envisioned a focal piece and end caps created out of silver metal clay. Although it seemed rather straightforward at first, I encountered some challenges along the way. I detail them below. You may choose to steer around some of them.

I learned how to weave the chain in a workshop many years ago, and unfortunately, I don’t recall how to do it. However, I do recall we used a starter wire shaped like a flower and a wooden dowel to weave around. The chain was pulled through a vinyl drawplate (made out of cutting board) with different size tapered holes. This was for drawing down the diameter of the chain. The source book was, “Great Wire Jewelry” by Irene From Petersen. With a little imagination this project can be modified to work with other types of chain or cord. It is a good idea to peruse the entire project instructions first before proceeding. Continue reading…

Enchanting Silver Quilling by Astari G. Swatantri

I have long admired quilling, but I had never tried this wonderful form of art before until I had an opportunity to participate in the Silver Quilling Certification training at the Art Clay Headquarters in Japan, I had zero expectations. I was so lucky to have Ms. Motoko Maggie Nakatani, a renowned quilling artist, as my teacher. She was also the curriculum supervisor of the certification program. (Top Image: Astari’s award winning piece from the Silver Accessories Contest: “DoPositive” combines many metal clay techniques including silver quilling. Click image to enlarge.)

Continue reading…