Rachael Osborne has created with the help of Lisa Cain’s expertise, quite possibly the largest item to date in metal clay! The bowl pictured measures 290mm x 140mm (approximately 11.5″ x 5.5″).
Their epic journey began with Rachel winning the prestigious Goldsmiths Precious Metal Bullion Award in 2016. This enabled her to recreate her pewter bowls in sterling silver. As Rachael and her tutors at college pondered over the construction of such a bowl, they considered several traditional silversmithing options. Casting, Etching, Raising and so on. However, each technique presented specific obstacles. Continue reading…
This special series of projects by master metal clay artists is proudly sponsored by Cool Tools. (Please note: click on images to enlarge.)
The beauty and enchantment that I am surrounded by here on this extraordinary planet keeps me feeling like I never grew up. I share this child-like feeling of awe and wonder with others by adding the surprise of movement to my jewelry. I hope you give it a try too!
For this advanced project, I will be making a hollow form box pendant with a side lever that creates a seesaw movement of two figures inside. In mechanical terms, this is a fulcrum; in jewelry terms, it’s magic! The pendant has a back panel that can be removed by a screw. Read through the instructions several times to get an idea of the steps involved and the design possibilities, considerations and challenges to watch for as you construct the piece. Continue reading…
I love texture and anyone who knows me knows my work typically features lots of it so when I first saw Kris Kramer’s work, I was instantly taken by the fabulous textures she uses. And the haunting faces of the animals in her work are so full of feeling. Kris is the owner and artisan at Kris Kramer Designs.
Kris lives in Whitefish, in northwest Montana, which is about 30 miles from the Canadian border. “I live with a little dog, Rose, in a wooded area in a small tourist town that offers recreation all year round. My daughter lives about 120 miles away, and we visit each other often.”
I asked her where she was brought up. “I was raised in Illinois and Wisconsin,” she told me. “I lived in New York in early school years and worked in northern Minnesota in summers during high school.” Continue reading…
My creations need to hold meaning for me, which is why this necklace has a hand-drawn, personalized version of a Fleur de lis. The Fleur de lis has had many meanings over time and in various contexts. To me the flames represent Love on the left, Power on the right, and Wisdom in the middle. The band holding them together signifies each one of us becomes a enlightened sovereign being when these three flame aspects – Love, Power and Wisdom – are in balanced.
You can make this necklace with whatever design you choose; that is, you do not have to use a Fleur de lis. And do select your own texture and doming shape(s).
It is helpful if you have a clear image in your mind and better yet a sketch. It matters not if your creation turns out like your sketch. For me, just looking at the sketch I begin to understand how I will need to construct the piece and if there are any obstacles to do so.
Firing glass with bronze might sound impossible, but it is actually very easy to do. You still need to use carbon to assist the bronze with sintering. So, how do you protect the glass from getting carbon in it?
In this tutorial, I will explain how to build a steel mesh box to place over your glass during firing. This technique allows for limitless design options. And, white bronze is the perfect non-precious metal to use with your glass. It fires in exactly the correct range for adhering the glass to the surface of it.
We will be using Five Star Metal Clay and a two-phase firing schedule.
Breathe. I know it’s been hard. The bottom dropped out in 2016 and things haven’t gotten much better with the same slow Etsy sales in 2017. You’ve probably seen the same mantra over & over again in forums or on “expert blogs”:
“Better Keywords, Better Photos, More Listings”
That’s not the full story.
A different angle on why my Etsy sales may be down & actual data to back it up?!
As a teacher, I feel I need to try every metal clay available so that I can give a knowledgeable opinion. Also, I love to explore and learn about new things! I recently had the opportunity to test the new Five Star Metal Clays made by Carrie Story at Clay Revolution. Continue reading…
Swedish metal clay artist and designer Anna Siivonen has a very distinctive style which makes her work endlessly interesting if a little disturbing at times! She’s uncompromising in her subject matter and is equally comfortable producing cute or disquieting pieces. I’ve never met Anna but have admired her work for quite a while so I was really interested to find out more about her.
“I live in the suburbs of Stockholm in my grandmother’s old house,” she told me. “I live with my man, daughter, and cat. I work from home and spend most my days creating, dancing, doing yoga and hanging with my family. My childhood home is just a few kilometers from here and my mother still lives there.” Continue reading…
This is the sixth project in the Artist Project Series. Anna Siivonen from Sweden shows how she uses sterling silver metal clay and sterling silver wire. Anna is known for her small, whimsical sculpted metal clay jewellery and she brings that creativity to this project.Continue reading…
“Wonderful, wonderful, wonderful, the best weekend ever” “I’ve been to lots of metal clay conferences but this one stood out for me for the warmth and enthusiasm of the delegates” “It was just magical, everyone was so welcoming and friendly” “When I left I felt like I’d walked back through the door from Narnia” “I learnt so much and made so many new friends, and was still buzzing when I got home”
These are just a few of the comments from the attendees of the inaugural ‘You can make it’ event, who left at the end of the weekend feeling inspired, happy and with lots of new friends!
You Can Make It 2017 took place in Wareham, Dorset, UK on the 24th – 26th March 2017. It was the brainchild of Petra Cameron Wennberg and was organised by her company Metal Clay Ltd. When Petra first approached me in 2016 to see if I might be interested in teaching at it I jumped at the chance. There hadn’t been any kind of large metal clay gathering in the UK for quite a few years and we were long overdue one. Petra was quite clear. She wanted to organise an event, but to be sure they could make the pricing viable they were asking if the tutors would be prepared to give their time for free – of course I said yes, and so did everyone else! We certainly weren’t going to miss out on it. Continue reading…