Jeannette Froese LeBlanc is a jewellery artist and the editor of www.cre8tivefire.com. She is definitely “A glass 1/2 full kind of person”! She has learned to enjoy the journey and not solely focus on the destination, which is something her kids taught her. Look down, look around, enjoy where you are.
So often, we are asked if we know of a metal clay teacher in a certain area. All too often, the answer is “no, we don’t.” When this happens, it’s not necessarily because there isn’t a skilled teacher in the area. Instead, there hasn’t been any easy way to keep track of metal clay teachers in many years. Thanks to a joint project between Creative Fire and PMC Connection, metal clay students and teachers now have a much easier way to find each other.
The teacher map on the PMCC site is based on a past project by PMCC president Jennifer Roberts and designer Scott Benton of Cmpreshn, Inc. During the Summer of 2014, Roberts was a member of the Dallas Animal Shelter Commission. Looking for a way to help convince the Dallas City Council to give more money to the shelter, she sought Benton’s help to find a way to prove to the council members that people all over the city used the shelter services more than the council believed. The map at fund- das.org was born and the pair were able to collect and present valuable data to the Dallas City Council about the location of DAS customers and the shelter services they relied on.
“We talked at the time about finding a way to adapt the technology to help put metal clay teachers and students together,” Roberts explained, “but we knew that the teacher map would need some added functionality to really be useful to students looking for teachers.” The new map combines the intuitive map interface of the fund-das site and also allows teachers to list contact information, website addresses, skills taught, certifications and other information. It can also be navigated in a number of ways. Benton, the architect of the map, described one of its key benefits. “Gone are the days of slogging through a list of teachers by state and looking for your city. With our map, you can search by zip code or navigate by using the hand tool and zooming in and out.”
There is an added bonus for teachers, who can list up to five locations. “We know that many teachers work from a home base, but also travel to teach.” By creating one main teacher profile and allowing teachers to list up to five locations within that profile, we can send potential students directly to the resources for those classes away from home. With the ability to edit and delete locations, teachers let students know exactly when and where they will be teaching.
Creating a profile is easy. Head to PMC Connection and get on the map today!
HOWTO MAKE SILVER CHARMS FROM METAL CLAY
By Sue Heaser, Apple Press, 2013.
I always look forward to a new metal clay book from Sue Heaser, but I must admit I had my doubts as to whether the subject of making charms could support an entire tome. It can. In How to Make Silver Charms from Metal Clay, Heaser gives a superb mini course in metal clay techniques through the medium of charms.
Fifty projects, each with several variations, encompass a wide variety of designs, from tiny books to animals. Techniques used include everything from rolling and cutting clay to molding, sculpting, using resin and coloring the finished product in several ways. I particularly liked Heaser’s techniques for sculpting polymer clay originals then molding them for use with silver clay. For hesitant sculptors, this method avoids the worry of silver clay drying out while working, and it allows for multiples to be molded easily. Each project gives both an exploded diagram and an actual size image of the tiny finished piece. The book also includes a number of ideas on ways to use the finished charms and some simple ways to make bracelets from chain and cord.
Although the subtitle says the book includes instructions for all skill levels, most of the projects are for beginners or early intermediate metal clayers. Teachers will find it a solid resource for introducing metal clay techniques using small amounts of silver clay, while Heaser’s excellent description of techniques will let do-it-yourselfers progress easily. Some of the easier projects make good projects for parties. All in all, this is a truly “charming” book!
METAL CLAY 101 FOR BEADERS
by Kristal Wick, Lark Jewelry and Beading, 2013.
Kristal Wick is a beader who loves metal clay, and this book is her ode to combining the two. Some of the 23 proj- ects emphasize the beading, some the metal clay, but the majority are an integrated balance of the two media. Metal leaves are sewn into a peyote cuff; a silver and resin flower is both toggle and focal element for a tubular herringbone weave lariat.
The techniques section of Metal Clay 101 for Beaders includes metal clay basics, bead stringing tips and bead stitches. While the instructions are clear and well-illustrated, there is a clear expectation that readers are coming from a beading background. In keeping with the emphasis on beading, most of the metal clay projects are basic “roll, texture and cut” designs, sometimes with stacked pieces adhered with paste—or even epoxy—for dimension. I didn’t understand the use of epoxy in several of the pieces when the sections could have been adhered with traditional metal clay techniques. More experienced metal clay artists who are using this book for inspiration may prefer to use more traditional metal clay methods to achieve the looks.
If you’re a beader who wants to incorporate your own findings, focals and accents to your work, you’ll find a wealth of ideas in Wick’s work. Artists who are already familiar with metal clay can find inspiration to accent their work with beading techniques. Everyone will draw inspiration from the lovely gallery of work from well-known metal clay artists such as Jackie Truty and Lorena Angulo.
SILVER CLAY WITH STYLE
By Natalia Colman, Search Press, 2013.
If you enjoy incorporating a variety of jewelry making techniques in your jewelry, then you’ll want to browse through Silver Clay with Style. This book, originally published in the UK in 2011, has 22 silver clay jewelry projects, many of which incorporate techniques such as beading, textiles, wire wrapping and polymer clay. I especially loved her fabric cuff bracelet.
Colman’s designs are clean and modern. She includes four designs for men’s jewelry (although women may find them appealing, too.) The book starts with a solid techniques section which includes a particularly good description of how to achieve a mirror finish. Instructions are clear and extensively illustrated. My favorite section, however, is Colman’s one page chapter on design. Her explanation of deconstructing a frog in order to create a design is a wonderful teaching moment.
This book for advanced beginner to intermediate metal clay artists can inspire the reader to use Colman’s concepts to move into creating original designs.
Since the finest creations are made with the freshest of clay, keeping your clay fresh is critical for a good result. Moisture keeps binder in the clay at its peak performance, allowing you to best texture and join clay in your beautiful creations.
Everyone develops his or her particular way to store clay for the short- or long-term. Here are some tools and processes to know about while you develop yours. Many of these tools can be purchased or homemade.
While Working — Parked Clay Never, never leave your clay out exposed to air while you are working on a creation. Continue reading…
I’ve always been interested in supernatural phenomena: ESP, clairvoyance, telekinesis, observations that are beyond the scope of normal scientific understanding. Today there seems to be an unlimited number of TV shows on everything from Bigfoot to psychic pets. Even The History Channel has gotten into the act with programs on UFOs and psychic phenomena. So when I got the idea to make a pendulum for a necklace, I thought a little investigative research might be in order.
Pendulum divination has been around for hundreds of years. It has been used to find hidden treasure, diagnose illness, locate missing persons, uncover gemstones hidden in the ground, and even find Russian submarines. Many notable people took advantage of the power of the pendulum. Leonardo da Vinci, General Patton, even Albert Einstien was known to use the pendulum with great success. He believed its power lay in electromagnetism and energy that is unseen and not yet fully understood.
Regardless of how or why it works, you don’t need to be psychic to use it, and now you can make one for yourself!
Artist/Author: Patrik Kusek
Photos: Patrik Kusek
Editors: Jeannette Froese LeBlanc, Joy Funnell and Margaret Schindel.
Jewellery artist, metal clay instructor and business owner Kenji von Achen lives in what many of us would regard as the most romantic city in the world, Paris. We’ve been Facebook friends for a long while and I love keeping up with what he’s up to, but interviewing him for this profile was a revelation. He’s had several careers, has an interesting family history and a positive and uplifting attitude to life – and yes, there’s a little bit of romance, so read on and find out more about this charming man.
The youngest of three children, Kenji has two older sisters, one of whom passed away in 2000. His father is German, born in rural Illinois, and his mother is Japanese American, giving him his interesting name. “My pieces are signed just using KENJI,” he explained. “It’s not a ‘Sting’ or ‘Cher’ type of thing, it’s only because nobody ever spells my last name correctly anyway and also because I’m definitely assured that they’ll massacre the pronunciation,” he laughed.
His parents met just after his father left the military during the Korean War. His mother and her family spent three years during the Second World War in captivity. Kenji explained, “They were forced to live in different ‘internment camps’ that were built for Americans of Japanese ancestry. In fact, they were horse stables that were converted into barracks. I don’t know a whole lot about that period of her life as a lot of Japanese Americans don’t really like talking about that period. Over the years I’ve learned a little more about life in the camps but most of that information has only come from reading books and doing research.” Continue reading…
I make jewellery. No wait. I MAKE jewellery. These days my hands are never clean looking. Normally I don’t really care what my hands and nails look like. But recently while out to dinner with some friends I felt like the “one of these things doesn’t belong.” Each of my friends had such nice nails. Nicely painted nails, clean hands. We were sharing sushi so I felt the need to announce that my hands were in fact “clean”. As I said the words, I realized that I wasn’t ashamed. The public announcement was to put the other diners at ease. I am actually very proud of my raggedy nails and the permanent black stains. To me it is a sign that I am working in my studio. I am making jewellery. Continue reading…
Providing elegance and sunshine to everyday, flowers can always brighten a mood. Create a flower of grace and splendor with carved leaves for that added touch of detail. I will then show you how to solder the foliage to a sterling silver cuff that will allow you to take the flower with you everywhere.
Project and Photos by CANDACE STEPPES
Editing by Jeannette Froese LeBlanc, Margaret Schindel and Joy Funnell
(All images and text copyright to the artist and permission must be given by the Artist or Creative Fire to reproduce.)