Cette bague unisexe a un aspect un peu brut légèrement masculin et peut être une bonne idée de cadeau pour un homme. La température de cuisson de la Art Clay Copper a été adaptée pour permettre au cuivre de fusionner tout en étant cuit avec l’argent fin d’une manière sûre et fiable pour les deux métaux.
Projet par: Angela B. Crispin
Révision française par Soazig Alligand et Jeannette Froese LeBlanc
Liste de matériaux: Bague Lave
After a long, cold winter (at least for me here in Eastern Canada) I have been eagerly waiting for signs of Spring. We’ve had some sunny days, but the snow was hanging around at Easter. Believe it or not…it is snowing outside right now as I type this. It’s April 23! But I have faith that the better weather is coming.
A sure sign of Spring is when Rio Grande announces the Saul Bell Design Award finalists. As if timed with the blooms of the crocus flowers, slowly people are showing off their work and revealing that they are finalists. I’m working on our annual article that profiles the artists and their work, please look for it soon. In the meantime…I have a “Throw Back Thursday” item to share from the Metal Clay Artist Magazine (MCAM) archives. A few years ago Wanaree Tanner won the Saul Bell Award in the metal clay category. Being infinitely talented, she also made MCAM a video showing HOW she made her fantastic bracelet. Thank you Wanaree for sharing and best wishes to this years finalists! (Click on the image below to go directly to the video for the cover story)
Makingchainrequirespatiencebecauseittakestimetomakeall theindividuallinks.Butthesenseofsatisfactionyouwillfeelonceyouareholdingyourfinishedhandmadechainwillbewonderful andwillmakealltheeffortworthwhile. Thischainislinkedinthegreenwarestageandfired fullyassembledwitha decorative clasp worn at the front. It has a sinuous, slinky feel, plus the stones add a nice bit of bling.
Level: Advanced Project by: Joy Funnell Edited by: Jeannette Froese LeBlanc and Margaret Schindel
Goldie BronzeTM is a beautiful material. When constructing a bezel for a cabochon gem we need to treat the bronze clay differently than silver clay. A common method used with silver clay is to make a plug from jeweler’s investment to stop the metal clay bezel from shrinking smaller than the size of the stone. However, jeweler’s investment creates a nasty crusty black layer on fired bronze clay that can be impossible to remove. This dilemma led me on a quest to find a repeatable process for making bronze bezels. After months of experimentation and a box of failures I now have a reliable method that works every time!
Torch firing is a great way for beginners to get started in metal clay, but it can be tricky if you don’t follow some basic rules. Learn how to torch-fire like a pro from CreativeFire editor Jeannette Froese LeBlanc.