The syringe is my go-to form of metal clay for many techniques and applications. Not only is it great for setting cubic zirconia (smaller than 3mm) but also for creating texture and pattern.
There are so many creative possibilities with metal clay. One opportunity is to roll coils, or as many of us lovingly call “snakes”. Coils may be used for bails, decorative accents, or as a primary part of a piece.
Right off the bat, let me tell you, that rolled coils, are stronger than syringe coils. There is more metal content by volume in lump clay then there is in syringe clay. This extra strength comes with a trade-off, though. Coils take a while to dry when compared with a rolled-out, flat, piece of clay due to the extra volume. Give coils a good hour to dry in air. If after ten minutes of air-drying, your coil seems stable enough to put in a dehydrator or on top of a warmer, then go ahead and do that. Take care that you don’t move your coil too soon. Otherwise, you risk flattening one side or picking up texture from the tray.
OKAY! Let’s go!
Since gold clay is so expensive, might there be a way to combine it with silver clay and still have a finished metal that appeared gold in color, but would be less pure than PMC Gold clay and therefore, a little less expensive?
The ancient Greeks and Romans were aware of such an alloy, which occurred both naturally and man made. They called it “electrum” and used it for coins, jewelry and plating. My reading led me to discover that an alloy of more than about one third silver would result in a metal that appeared silver, that is, no gold color at all. Ancient alloys seemed to be no less than about 20% silver. Therefore, my plan was to combine a variety of gold and silver PMC mixes so that the alloys were in that sweet spot of 20-30% silver, to see what shades of gold would result. Continue reading…
-denoting an action, typically a crime, carried out in imitation of another.
“No one likes a copycat”….in fact I’d rather the word was stronger when it comes to artists stealing ideas from artists. Last week we posted a video on FaceBook that started a lot of conversations. Which is EXCELLENT! What a wonderful use of technology to have artists all over the world talking! But will things really change? Will you stop seeing derivatives of artists’ work? “If you copy someone’s else, that is a derivative work. It doesn’t belong in a gallery or showcase and it should not be published anywhere—this includes your website and all social media.” -Sean McCabe (quote from video)
California artist Harriete Estel Berman has written extensively on the topic of copyrights and copycats on her blog: Ask Harriete. “The issues are serious. By our silence, we in the arts and crafts community are cultivating a climate of copycats. Bringing this issue into the open is not going to be popular, but the undercurrents are eroding our economic, ethical and legal boundaries.”
Here are some links to select articles by Harriete. Be an informed artist!
40 COPYCAT THIEVES that have been seen
http://askharriete.typepad.com/ask_harriete/2014/03/40-copycat-thieves-i-have-seen.htmlUntil awareness gains traction in every “craft corner”, workshop, retail fair, wholesale show, online forum, manufacturer, retailer, designer, internet site, and becomes a public discussion, the copycat thieves will continue as pirates of our work, our ideas, and our content.In the “Age of the Internet” and digital technologies we can no longer go back to the studio and come up with the next idea fast enough. Ideas and images are stolen at the speed of light.
- Are you prepared to protect your work?
- Do you understand the concepts of Fair Use under Copyright Law?
- Do you understand DMCA
The Guild Guilt of Unauthorized Sharing
AFTER my lectureThe GOOD, The BAD, and The UGLY in the Age of the Internet, many people have responded. Views of the lecture continue grow. Dialog and discussion continues about many topics…..but, …..
But there is a situation that I didn’t consider, didn’t even think about… until it was brought to my attention after the lecture… “The Guild of Unauthorized Sharing.”
Here are the examples:
- A guild member takes a workshop, then comes home to show everyone else the workshop’s techniques, tips and tricks.
- Guild members distributing copies of handouts that they did not create or own.
- A member demos a skill learned in a magazine tutorial.
- A guild hires a copycat workshop instructor instead of hiring the original innovator of a skill or technique.
Ironically, all this sharing is usually rationalized as “helping” each other. But with some reflection, this “feel good” cloak of generosity is concealing ethical, legal and moral issues that, in the long run, have an impact on our community.
I Love Your Work and Want to Make One for Myself
There are rampant versions of copycats within the arts and crafts community. Some are cloaked in naiveté, admiration and enthusiasm.The problems are multi-faceted. One of the problems is that the copycats don’t realize they are stealing from the professionals they most admire.
Purchase of an Object versus Purchase of the Copyright or Right to Copy
Has anyone ever purchased your art or craft work and then started copying the original? I’ve seen this issue discussed online. Or people write to me when they find out about unauthorized copies of their work, especially when other people are profiting from their designs. The situation is frustrating and nearly impossible to stop – once it is out of control.
Alcohol Ink: https://pmcconnection.com/embellishment-finishes/alcohol-inks.html
Guilder’s Paste: https://pmcconnection.com/embellishment-finishes/gilders-paste.html
Heat Patina: https://pmcconnection.com/firing/torch-kits/butane-torch.html
Copper Patina: https://pmcconnection.com/embellishment-finishes/patinas/antique-patina-1-oz.html
Liver of Sulphur:https://pmcconnection.com/embellishment-finishes/patinas/liver-of-sulfur-gel-squeeze-bottle-xlgel-1-oz.html
Metal Sealer: https://pmcconnection.com/pym-protectant-pump-6-oz.html
Jeannette Froese LeBlanc is a jewellery artist and the editor of www.cre8tivefire.com. She is definitely “A glass 1/2 full kind of person”! She has learned to enjoy the journey and not solely focus on the destination, which is something her kids taught her. Look down, look around, enjoy where you are.
Since the finest creations are made with the freshest of clay, keeping your clay fresh is critical for a good result. Moisture keeps binder in the clay at its peak performance, allowing you to best texture and join clay in your beautiful creations.
Everyone develops his or her particular way to store clay for the short- or long-term. Here are some tools and processes to know about while you develop yours. Many of these tools can be purchased or homemade.
While Working — Parked Clay
Never, never leave your clay out exposed to air while you are working on a creation. Continue reading…
PMC3 is a fine silver clay (.999 silver). True, fine silver PMC3 is more expensive than base metal clays. But the ease of working with and firing fine silver clay makes it a much better choice for beginners. From start to finish, PMC3 is the least complicated of all of the metal clays, which means that students can focus on the basics of construction, firing, and finishing without having to worry about complications created by the clay itself. Once you have those basic skills under your belt, there is an entire universe of textures and colors available to the metal clay artist.
With all metal clays, getting the basic texture and forming in place before the clay starts drying is key. Make sure your clay is sealed in an air-tight container when not being worked, and don’t hold the clay in your hands when you are not shaping it as your skin will pull moisture out of the clay.
Most important is to stay relaxed, have fun and experiment.
Still wondering about the other varieties of PMC clay? Here is a quick summary:
PMC3 – great for beginners; can be fired with a torch; low firing temperature allows for inclusion of findings, glass, and fire-able stones.
PMC3 paste – good for joining pieces; can be used for adding texture and painted designs; can be used with PMC3, PMC+, PMC Flex, and PMC Sterling.
PMC3 syringe – good for making repairs and filling grooves; can be used for drawing, building up forms and setting stones; can be used with PMC3, PMC+, PMC Flex, and PMC Sterling.
PMC Flex – designed to stay flexible when dry; good for bending, twisting and braiding; low firing schedule and can be fired with a torch.
PMC+ Sheet – flexible and does not stick to itself; great for origami, folding and weaving; can be laminated and used with paper punches.
PMC Sterling – great for added strength and shine, must be kiln-fired in carbon
PMC Gold – great for accents; low firing temperature; can be fired alongside silver PMC and can be torch fired.
Dona Miller: “Art, especially jewelry, is very personal. Through the constant inspiration of nature, animals and my dogs, I interpret the spirit around me into jewelry, using my love of stones and shaping metal. My designs and metal work incorporate the use of cut and natural stones to reflect the peace, love and joy of nature.”
Jewelry in article by Dona Miller.
“Metal Clay 101” is an ongoing series brought to you by PMC Connection and their instructors.
Always dry your clay completely before firing. If your clay is damp the moisture will try to escape quickly during firing and the piece will break or it could explode while torch firing.
Most metal clay pieces under 15 grams will take a day to dry. You can speed up the drying by using a mug warmer—remember to turn the piece every once in a while. Or you can use a food dehydrator that has been dedicated to non-food use. With these methods it will still take a few hours to dry out.
Do not torch fire metal clay that has been formed over a core, such as a ceramic bead, wood or cork clay.
Always follow the clay manufacturer’s directions for firing. The insert that comes with the clay will explain firing temperatures and timings.
Always fire metal clay, with a torch or with a kiln, in a well-ventilated area and have a fire extinguisher handy.
Keep that clay moist and you’ll be a happy artist! Clay can be stored in a small airtight container and if you are leaving the clay in-between projects, put a small piece of damp sponge in the container. It is also handy to have a small spray bottle handy to re-moisten clay if it starts to dry out.
Keep all the bits and shavings clean. All dried bits of clay can be re-hydrated into a paste, but keep the bits free of sandpaper grit and other work-space debris.
Before you open your package of clay, have your work-space ready. If you are rolling out the clay, have a non-stick work surface ready. (This can be a sheet of glass or plastic.) Lightly coat your hands and tools with olive oil. And lastly—know what you are going to do! Don’t wait for inspiration while your clay is drying out.
Torch Firing Demo:
Material Lists: (Click on images to enlarge.)