Artist Project Series: Little Red School House Ring by Jeannette Froese LeBlanc

My project is based on a schoolhouse in rural Ontario.  The schoolhouse was built in 1876 and captured my heart as a child.  The school was decommissioned in the 1950’s and purchased at an auction by my mother who then gave it to her father. It sits on 1 acre of land that my relatives had donated for the school.  My grandparents lived in a farmhouse nearby and my grandfather used to give me the keys and I’d ride my bike up to the school…and play inside.  One summer I even conned neighboring kids to come to my school–I was the teacher, of course!  When it came time for my husband and myself to buy or build a house…this was our model and we took as much of the old school to our house.  My dream as a little girl was to live in the “little red schoolhouse”.

In the project I’ll show how I made my ring.  Have fun and design your own dream house!

This project is proudly presented by Cool Tools. (And I thank them and Bill Struve for this wonderful silver metal clay.  It was the perfect clay for my project.  It was strong, but flexible when it was bone dry.) Continue reading…

Artist Project Series: Penannular Brooch by Julia Rai

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Cool Tools is proud to present the next artist project in our series.  This time UK artist Julia Rai presents her artistic talents using EZ960™ Sterling Silver Clay.

Julia Rai has been a contributor to Creative Fire (Metal Clay Artist Magazine) since 2009.  We are thrilled to feature her latest project.

“Penannular style brooches have been used to fasten clothing since the late Iron Age. This style of brooch has a loop of metal with terminals or flattened ends and a moveable pin. The pin is pushed through the fabric and the end of the ring goes under the sharp end of the pin. The ring is then turned locking the pin in place. There are a wide variety of designs for the terminals of historical penannular brooches and this is where the fun comes in on this modern take on an ancient design.

I have used a natural theme for the hoop, texturing it to resemble bark. The terminals use pod, fungi and lichen forms and this is echoed on the curve of the pin.” Continue reading…

Artist Project Series: Iwona Tamborska

The 3 Fish

This is the 5th project in our ongoing series of tutorials sponsored by Cool Tools.  All projects use their new silver metal clay EZ960™ Sterling Silver. This project is quite advanced, however, artists of all levels will learn something new! Be inspired by the way Iwona uses a drawing for the plan and layout of her pieces, or by her use of colour as she adds stones and coloured paste to this project!  Those who want to learn about hollow forms can follow along and learn about using a burn out media.  This beautiful pendant is wearable sculpture! Continue reading…

Metal Clay 101 – Firing Metal Clay – by Katherine Prejean

Depending on the type of metal clay you are using, from original fine silver to base metal clays, there are a number of options for firing. This may include anything from a kiln to a simple hand-held torch.

One of the processes of creating jewelry with silver metal clay that got me addicted was the ability to use a something as simple as a butane torch for firing. In as little time as two minutes, I could have a beautiful pair of earrings or a pendant ready to wear.

TORCH FIRING — —

When teaching a beginner class, I only demonstrate torch firing as a way to help the students understand how easy it is to set up your metal clay studio with minimal cost. Continue reading…

Artist Project Series- Kathy Van Kleeck

Strata Ring by Kathy Van Kleeck is presented by Cool Tools and is part of a special series of projects designed by metal clay master jewellery makers.  Kathy’s unique style and openness about her process is as refreshing as her jewellery.

(Note: click on images to enlarge)

The inspiration for this ring was born out of my curiosity about how thin I could work with the new EZ960® Sterling Silver Clay and still maintain structural integrity.  Favorite themes in my work are repetition of form and layering of elements.  The image of stratified layers came to mind and creating this effect in rings seemed like a good place to start.

I started off making what I call “washer” rings, thin and flat, but with my signature “wonky and weathered” edges.

Wearing a loose stack of the new “strata” rings worked just fine, but as a project to share seemed a bit lackluster.  The idea of joining the rings via rivets, one small to stabilize the stack and one large to secure the group, seemed like it would be visually compelling, not to mention good fun. Continue reading…

Metal Clay 101- Embedding wire in PMC

Embedding wire in PMC

Whether you need to create a simple loop to hang an earring or you need to string together a complex network of components, embedding wire in PMC is an essential design technique. When working with PMC, always use fine silver wire and make sure the wire is clean by running it through some clean folded 320 grit sandpaper.  To insert eyelets, small loops, or prongs, slightly flatten the part of the wire you plan to insert in the clay and rough up the surface with a file to give more tooth for better grip. Insert the wire carefully into the wet clay, pull it back out dip it into the paste, and then reinsert.  Remember, if you are inserting a loop, be sure to embed the bottom 1/3 of the loop.

If you are laying wire through a piece (for example, making a clasp) make your piece in two layers. When the pieces are dry, sand a groove into both halves and then generously cover both with paste. Lay the flattened wire into the groove and sandwich the pieces together. This will eliminate the bump from the wire.

With a little practice, the addition of wire to metal clay designs can expand your creative horizons tremendously!

Ruth Greening
Having a lifelong love of art, Ruth has a diverse background that includes air-brush painting, Australian cake decorating, stone sculpture, lapidary arts, and fine wire wrap settings. Ruth is self-taught and enjoys learning from renowned teachers by attending classes taught in a wide variety of jewelry art disciplines.

Her introduction to PMC was a dream come true – to be able to work in silver with a true freedom in design. But the best reward is being able to share and enable others to create their own works of silver art through her role as a PMC Connection Senior Instructor.

 

Artist Project Series: Marco Fleseri

This project is the third in a series presented by Cool Tools.  A dozen artists will present projects that showcase their personal style and artistry using EZ960™ Sterling Silver Clay. Come and enjoy this unique opportunity to look over the shoulder of some of the world’s premier metal clay artists as they work.

Marco Fleseri presents a project that artists of all levels will enjoy. By combining fine silver with the metal clay he has taken away many issues with shrinkage and it makes the project more economical too!  Enjoy and feel free to share your results with the artist.

Cuff Bracelet Project by Marco Fleseri
This is a how-to guide for creating your own version of my cuff bracelet which I called “Nelumbo vertabralis.” Inspired by vertebrae and lotus flower petals (“nelumbo” is the genus name for the lotus family of plants), this bracelet has an architectural quality while still looking very intentionally organic / biological.

For this bracelet I used EZ960™ Sterling Silver Clay, which is a premixed formula that can be fired in one stage on an open shelf (no need for carbon). Continue reading…