Treasures Found Online: New Directions: Powder Metallurgy (Metal Clay) in a Sheet Metal World

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Julia Rai Cityscape Bracelet 4.5cm x 20cm Fine silver clay, photos

An online exhibition showcasing some of the most exemplary work currently being done in metal clay. The exhibition, which was conceived by Susan Silvy and co-curated with Christine Norton, is being hosted on Crafthaus (www.crafthaus.ning.com), a subscription based, juried, online artisan community that is home to many professional artists in all mediums.

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Cindy Miller Tadpole Spoon 6” x 1” Fine silver clay, 24k keum-boo

“One of the biggest obstacles I have had to deal with as a metal clay artist is the widespread misconceptions regarding metal clay,” Silvy explains. Part of the problem is that it was introduced only in the mid-1990s, and in the context of the established media that have been used throughout art jewelry, it is a comparative newborn. “It has been fascinating to watch this material capture the creative imaginations of artists, to see the years of experimentation, and to realize that metal clay is now beginning to reach its stride.” She and Norton wanted to take advantage of the opportunity to showcase some of the best and most inspiring metal clay work to a large audience of other high-level, professional artists.

The concept of the exhibition elicited such a positive response that it is being presented in two parts. The first part ran from April 14 through May 14, 2011. The second part will debut on July 17 and run through August 17 2011. The exhibition includes work from 60 respected metal clay artists that were selected by a jury from among hundreds of entries based on their demonstrated mastery of the medium. The jurors for this show were: Ann Robinson Davis, Jeannette Froese LeBlanc and Gwynne Rukenbrod.

A full-color print catalog of the exhibition was designed by Hallmark artist Sam Cangelosi, all profits went to CERF, the Craft Emergency Relief Fund. “Early on, Jackie Truty and Katie Baum from Art Clay World generously volunteered to support the exhibition by producing a print version at the Metal Clay World Conference. Their support is what really got our adrenaline going, and led Susan and me to come up with a plan to bring a more expanded exhibition into catalog form to support CERF ,” Says Norton.

The exhibition is open to the public and you do not need to be a member of Crafthaus to view it. To view the exhibition, visit www.crafthaus.ning.com/group/powdermetallurgypart1.

Artist Profile: Kathleen Nowak Tucci By Julia Rai

 

Alabama Gulf Coast eco-artist Kathleen Nowak Tucci was featured on the cover of the controversial oil-spill issue of Italian Vogue magazine in August 2010. It was the first time an eco-artist’s work had been featured on the cover of a mainstream fashion magazine.Vogue Cover Tucci wwwcre8tivefirecom

Kathleen has been creating art for 25 years and recently has begun working with recycled bicycle inner tubes. This work with recycled rubber has brought her to the attention of a number of prestigious magazines, such as Vogue Italia (cover!), Marie Claire, Elle Decor, Ornament, and Interior Design, and high-end boutiques and galleries across America. “My work was also recently included in the Smithsonian Craft Show 2011,” she said. “There were 1300 entries and only 120 juried artists.”

Kathleen Nowak Tucci wwwcre8tivefirecomK Nowak Tucci wwwcre8tivefirecomKathleen has always been creative. “I have no choice but to be creative,” she explained. “Even as a child, I always had some art project going. On both sides of my family there were very creative women.” Continue reading…

Artist Profile: Gail Crosman Moore

-Artist Profile by Julia Rai

IMG_6558_2 - Version 2The first thing that struck me about mixed media artist Gail Crosman Moore’s work was the wonderful organic quality she achieves with the media she employs. From the warm softness of felt to the cool solidity of glass and metal, she captures flowing natural forms in a wonderfully eclectic body of work. Continue reading…

Photo Inspiration for Artists

True Colours: Interview with a Jewellery Artist Turned Colouring Book Illustrator

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Adult colouring book by Laura Medeiros

 

Colouring is in vogue—at least for adults! I couldn’t believe it was a trend at first, but then one day I was colouring with my kids and realized that I’ve coloured in their colouring books for years! It’s a peaceful pastime. Choosing colours and how to shade in areas is fun and good for the soul. Creative people need a way to express themselves every day. Colouring fills that need for so many artists and crafters. Is this trend reconnecting us with simpler times? Is it part of the movement to purge our houses and live with less stuff? Colouring doesn’t require many supplies. It is also a peaceful and meditative activity. Continue reading…

Artist Profile-Lori Field

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‘Feral Husband’ is my little bronze tiger businessman. He can be worn under a suit to ward off evil spirits at the office.

Every once in a while I find artwork that stops me in my tracks. I love it when that happens–it’s a moment when I really feel inspired, full of questions and yet I just want to look and look and look at the artwork. Lori Field’s work stopped me in my tracks a few months ago. I am thrilled to share our interview. (Please note: if you click on an image you can see it full size!) Continue reading…

2015 Saul Bell Design Award Finalists-Metal Clay Category: PART 5 of 5

Monday’s are not all bad!  Let’s start off the week with something really good.  Holly Gage is a never ending river of good things! As a teacher, mentor and motivational speaker she has touched many lives. She has been a supporter of Metal Clay Artist Magazine before our first issue came out! I think we chatted at the Art Clay Conference about magazines in 2009. Over the years she has had images in the gallery and she has contributed articles. Maybe some of you remember this piece from an MCAM gallery? Below is our fifth interview with the Saul Bell Award finalists in the metal clay category.
holly_gage_natures_renewal Continue reading…

2015 Saul Bell Design Award Finalists-Metal Clay Category: PART 4 of 5

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“Gentle Hands” bracelet Janet Alexander made for a charity auction to benefit “HEAL” helpendabuseforlife.org.

Untitled-1I have admired Janet Alexander’s work for many years. She has contributed articles to Metal Clay Artist Magazine and she took part in a very special charity bracelet project two years ago. We featured her bracelet on the cover. Her innovative design is a match of beautiful imagery of the mountains in her area, the helping hands of the charity she was spotlighting, along with the complexity of a hidden link system. Knowing her work, I was not surprised to hear that she is a finalist for the Saul Bell Design Award!

Creative Fire: How long have you worked in metal clay?
Janet Alexander: I had been introduced to metal clay in 1999 but then started working in metal clay in 2009. Continue reading…

2015 Saul Bell Design Award Finalists-Metal Clay Category: PART 3 of 5

Our third interview is with Terry Kovalcik from the USA. Terry’s locket “A Tear for Icarus” (2005) was the first piece that caught my eye and made me really look at metal clay. As you can see by Terry’s finalist piece for the Saul Bell Design Award, his attention to detail and excellent craftsmanship have not wavered at all.

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A Tear for Icarus (2005)

Creative Fire: How long have you worked in metal clay? Is there one kind of metal clay that is your favorite? 
Terry Kovalcik: I was first introduced to Precious Metal Clay in 1999 and have worked with it ever since. So that makes it 16 years. As for a favorite, it’s hard to say, I do find myself using the 960 hybrid PMC clay a lot lately. My approach is to pick the best clay for the job. PMC 960 works well for many different techniques, it’s strong and versatile. Continue reading…

2015 Saul Bell Design Award Finalists-Metal Clay Category: PART 2 of 5

The second finalist in the metal clay category to be interviewed is Anna Mazoń  from Poland. We fell in love with her work and profiled her in Metal Clay Artist Magazine in 2012 as “an architect of Poland’s Metal Clay movement.” There are many fabulous Polish metal clay artists, but one who really stands out for her work is Anna Mazoń.

closeupCreative Fire: How long have you worked in metal clay? Do you have a favorite? Do you have any favorite tools for metal clay?
Anna Mazoń: I started working with metal clay in 2008, so it’s been almost 7 years – time flies. Since then I tried really a lot of different metal clays, from different brands and the more I try, the more I am tempted to say, that it really doesn’t matter what you use. The only thing that matters is your talent and perseverance. Continue reading…