The Art of Possibility-Inspiration for Creative People is a new chapter on Creative Fire. Some people collect rocks, others mugs. I collect quotes. I love my secret stash of inspiration and encouragement…and I thought I should share it. Every week I’ll add a new quote or image. I hope they speak to you, offer inspiration and from time to time make you smile. ~Jeannette
(If you have an image or quote you’d like to share with others, please send me the image: cre8tivefire(at)gmail.com. I will do my best to make sure all quotes or images have the source, if you know of missing credits please send me the information and I’ll add it to the image.)
I’ve known UK based metal clay artist and tutor Tracey Spurgin for many years, so long in fact that I can’t remember when we first met! Tracey lives in the small village of Walkington in the East Riding of Yorkshire which is in the north of England. Tracey and her husband Steve were regulars at the US conferences that ran every year and which a group of us from the UK used to attend. I last saw them at the You Can Make It conference in the UK in March 2018 and it was good to have a catch up then.
I thought it would be interesting to interview Tracey to find out about her background, so I started by asking her about her family. “I have two adult boys, both in their twenties and engaged to be married,” she began. “They’re both very settled in their careers and have homes of their own. The eldest lives in Edinburgh and the other in Manchester.” Continue reading…
I first met Roxan Waluk at one of the US conferences and have followed her work ever since. Roxan told me a bit about her home. “Originally a third generation Texan, in 1983 my husband drug me out to Virginia kicking and screaming for his work. After over thirty years here, we have migrated out to the middle of Virginia’s beautiful wine and horse country. We live in the small town of Delaplane situated about an hour’s drive outside of Washington DC.”
“I live on three acres with my husband Joe, and our four legged children,” she went on. Continue reading…
I’ve known Jeannette Froese LeBlanc for a number of years, ever since she launched the fabulous Metal Clay Artist Magazine. The Magazine was a great success but sadly closed after five years. (Digital copies are still available.) I still miss it but Jeannette is now running the awesome Creative Fire website. I wrote artist profiles for the magazine and now I’m writing them for Creative Fire. It’s about time I did a profile on her!
(Jeannette’s Necklace on the last cover of Metal Clay Artist Magazine–a promise she kept to her mother to someday put her own work on the cover.)
Given her many talents and the multiple pies she has her fingers in, I asked Jeannette what she considers to be her ‘job title’. “I’d like to say artist, but I think it’s more of a hyphenated job title…artist-writer-editor-mother-teacher.” See what I mean? It’s amazing that although I’ve known Jeannette for a long time, it wasn’t until I interviewed her for this profile that I found out things about her that I didn’t know. Continue reading…
Cornwall based metal clay artist and tutor Julia Rai is well known in the international metal clay community. She founded the Metal Clay Academy and has been writing tutorials and articles for print and online publications for many years. But getting her to sit still long enough to give us an interview has taken nine years!
Julia was born and raised in North London in the UK. “I’m the oldest of three sisters,” she told me. “I always enjoyed doing practical stuff and wasn’t particularly academic. When I got into a grammar school having passed the 11+ exam as it was in those days, I had to study Latin and that was a bit of a stretch! My best subject was English language but not so much the literature side. I preferred to read science fiction and horror books. I did an art CSE and had a very enlightened teacher who allowed me to explore sculpture rather than traditional drawing and painting. For the final exam I made a full sized sofa which I distressed and covered with coloured plaster of Paris so it looked like it was melting. I can’t remember what happened to it!” Continue reading…
Liz was brought up in Western Pennsylvania. “I grew up on a dairy farm with my six younger siblings, and was known for planting the straightest corn rows in the county. You could see from one end of the field to the other down the rows.” She currently lives in Pittsburgh. “I have two great kids, and we all love animals, so we have several different kinds of pets – dog, cats, chinchillas, rabbits, guinea pig, and fish! The crowd makes our home very entertaining, and never lonely.”
I asked her about her studio as with such a busy household I imagined that a home studio might be a bit tricky. “My studio is in my home, but was scattered all over – garage, dining room, kitchen, basement – complete chaos! I have been working to consolidate more of the different tasks to the space where my flex shaft is located – a slow process, but turning out to be much more productive all together.”
She has always been creative. “One of my earliest memories is deciding to decorate my bedroom by drawing pictures on the wall, somewhere around 1st grade. I didn’t want to get in trouble, so I mimicked my younger sister’s drawing style, and well enough that my parents believed they were her drawings!” she laughed.
I asked Liz how she discovered metal clay. “I remember seeing silver clay in the Fire Mountain Gems catalog several years before I started making jewelry,” she began. “I dreamed of trying it someday. That day came when I was looking for ends or bead caps to complement my lampworked beads, but couldn’t find any commercially available options that worked for me. So I signed up to teach some after-school art classes to students at my children’s elementary school, and used the instructor pay to purchase a kiln. The first things I made didn’t sinter correctly. It was a frustrating month of testing and research before I found a good firing schedule that worked with my kiln. After that, it was pure love!” Continue reading…
In January we put out a call to those interested in a design challenge. We offered up identical boxes of vintage jewellery making supplies from CJS Sales in New York City. Each designer received the same collection and could make whatever they wanted to. The only parameters were: -You can use the materials you were sent any way you want and with any media. -Must use 4 pieces of design kit in your finished piece. (1 piece = 1 bead, 1 component, or 1″ of chain)
Twenty packages of vintage jewellery components went out to artists in 4 different countries!
Our Judge: Donna Greenberg, a mixed media artist from New Jersey. She enjoys mixing materials, colours, and textures in her jewelry and sculptures in unexpected ways. “Pairing smooth, dull surfaces with a coarse piece of glittering pyrite; delicate pearls perched in a volcanic explosion of highly textured polymer; low end man made materials paired with the luxury of silver or bronze are the kind of studies that gets my heart beating loudly. The thrill for me is in balancing these diverse elements into a cohesive statement.” Continue reading…
I have been fascinated by automata since childhood visits to the Science Museum in London. I remember turning the handle on the Archimedes screw exhibit and seeing the little man turn his own handle in time with me. As the water came up through this cause and effect, I was totally fascinated by how that worked. When I first saw Kim Nogueira’s metal clay automata I was blown away by the ingenuity of the technical aspects but also by the stories and themes behind the pieces.
Kim was born and raised in the small New England town of Northampton, MA and now lives in St John, in the US Virgin Islands. “For the past 25 years, this little island has been my home, where I raised my wonderful son,” she explained. “Two thirds of the island is protected by the National Park, and the hiking and snorkeling is fabulous here. It is a very tiny island however, measuring about nine miles by 12 miles. Elevation reaches from sea level to 1200 feet, which if you ever run or walk our annual famous 8 Tuff Mile Race, which runs through the center of the island from one end to the other, you will get to experience most of that elevation change. I have only done this once, and that was enough!”