I would like to thank Jeanne Pring for being our first guest author and for sharing her experience at her first exhibition! I met Jeanne through the MCAM auction site set up on Facebook. I was not familiar with her work before seeing her name pop up on the auction page, but now I feel like old friends. Jeanne is quick to share her story, images of her work and lesson’s learned. Jeanne’s article will be the first to appear in the category of “In Business”. Our goal with this section of articles is to create a place for artists to share their experiences selling their work and to create a dialogue that will benefit all metal clay artists all over the world.
~Jeannette Froese LeBlanc editor cre8tivefire.com.
In Business with Jeanne Pring ~United Kingdom:
Firstly, let me introduce myself. My name is Jeanne Pring of Jkhoo Designs. I started making jewellery when I was not able to find anything suitable to accompany my dress for my wedding … and certainly not to my budget. I therefore decided to teach myself how to make my own jewellery for my special day. I received so many positive comments on the pieces I made that I decided to teach myself more and start a business.
Makingchainrequirespatiencebecauseittakestimetomakeall theindividuallinks.Butthesenseofsatisfactionyouwillfeelonceyouareholdingyourfinishedhandmadechainwillbewonderful andwillmakealltheeffortworthwhile. Thischainislinkedinthegreenwarestageandfired fullyassembledwitha decorative clasp worn at the front. It has a sinuous, slinky feel, plus the stones add a nice bit of bling.
Level: Advanced Project by: Joy Funnell Edited by: Jeannette Froese LeBlanc and Margaret Schindel
Goldie BronzeTM is a beautiful material. When constructing a bezel for a cabochon gem we need to treat the bronze clay differently than silver clay. A common method used with silver clay is to make a plug from jeweler’s investment to stop the metal clay bezel from shrinking smaller than the size of the stone. However, jeweler’s investment creates a nasty crusty black layer on fired bronze clay that can be impossible to remove. This dilemma led me on a quest to find a repeatable process for making bronze bezels. After months of experimentation and a box of failures I now have a reliable method that works every time!
Photographing our work is just one of the many hats we must wear as artists.Getting decent photos for online sites, show applications and to submit for media coverage…is very important. How your work looks says a lot about you. A jewellery maker friend of mine, Kathleen Nowak Tucci, always, always has wonderful photos of her work. Even the on scene shots are wonderful. One teacher I took a class from, (Rona Sarvas Weltman) told us that she never puts out any images of her work unless they are professional shots.
Excellent advice from a guru of jewellery making! And advice I will follow once my work is “at that level”. Until then, I will look for ways to improve my own photo-taking skills so that my shots look less “homemade”.
A few years ago, Hadar Jacobson posted a how-to take better photos using a semi-transparent garbage can as the light box. I have been meaning to try that idea, and was reminded of it when I saw this blog post: turn a plastic bin into a light box from www.quirkyoak.wordpress.com.
Torch firing is a great way for beginners to get started in metal clay, but it can be tricky if you don’t follow some basic rules. Learn how to torch-fire like a pro from CreativeFire editor Jeannette Froese LeBlanc.