Artist Profile-Patrik Kusek

 

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Patrik Kusek placed 2nd in this years Saul Bell Design Award in the Metal Clay Category.  I had a chance to ask him a few questions about his piece and his studio work.

2016_SBDA_PatrikKusekIN3 2016_SBDA_PatrikKusekIN2Creative Fire: Can you tell us about the inspiration for your Saul Bell Design Award winning piece?
Patrik Kusek: The piece if part of an ongoing series of work that deals with my mother’s dementia. Molds were made from 18th century plaster cameos called Tour Cameos. I used these to create each of the cameos in the necklace. Tour cameos were collected by Europeans while on their “Grand Tour” As long as 3 years were spent aboard learning about different cultures. I used the Tour Cameos as a metaphor for my mothers life. The fractures and spotty gold represent my mothers memory which is fading away.

CF: Could you have imagined today’s level of metal clay work 10 years ago? Do you think there will be the same level of technical advances in the next 10 years in metal clay art?
PK: I  could not have imagined the beautiful work that is made from metal clay today. When I first started using metal clay I could count on one hand the really great metal clay artists. Now we are fortunate enough to have wonderful artists world wide and the new generation is pushing creativity to it’s limits. I don’t think there will be much more advancement in metal clay. There might be smaller achievements but not breakthroughs of the past few years. Metal clay is just a material, and the focus for the future is expressing artistry through the medium of metal clay.

CF: Do you have any advice for a new to metal clay jewellery maker?
PK: Don’t be afraid of making mistakes, we all make mistakes and with metal clay you can always reconstituted, recycle or refine it.
 
CF: You teach classes on your techniques. Do you have advice for your students about the difference between inspiration and the copying your work.
PK: It’s a thin line to walk sometimes because we encourage our students to copy our work in class but primarily to learn the technique. However they should take the technique and use it to express their own vision. Inspiration is a starting point, a jumping off point to express the idea. A good artist will put there own unique voice into the piece.
 
CF: What 5 tools do you always have on your bench?
PK: JUST 5????? JoolTool, Dockyard Carving tools, Textures rollers, Water, iPad for music or movies or CNN.

CF: What is your favourite quote?
PK: I don’t really have a favorite. It’s more like my favorite for now…”Commit to Mastery” I like this because it applies to just about any medium. As adults I think we can get too bogged down with being perfect right out of the gate. We need to remind our-self to take our time to really learn the process. If we commit to mastery it becomes a life long process not just a weekend workshop.
 
CF: If you could spend a day with any artist (dead or alive) who would it be and why?
PK: Picasso, Paris, 1920’s — need I say more?
 
CF: What’s next for you? (Art shows, lectures, new work….)
PK:I have a couple of videos coming out soon with Interweave. Base metal mosaics and micro mosaics. I love these techniques used in the video they are dramatic yet straightforward.
Thank you Patrik for taking the time to share your responses to our questions.  And once again, congratulations on your award.  Your design is stunning.
Reference: To see more about the Saul Bell Design Award and all of the winners and finalists: http://www.saulbellaward.com/Winners/Year/2016

2015 Saul Bell Design Award Finalists-Metal Clay Category: PART 3 of 5

Our third interview is with Terry Kovalcik from the USA. Terry’s locket “A Tear for Icarus” (2005) was the first piece that caught my eye and made me really look at metal clay. As you can see by Terry’s finalist piece for the Saul Bell Design Award, his attention to detail and excellent craftsmanship have not wavered at all.

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A Tear for Icarus (2005)

Creative Fire: How long have you worked in metal clay? Is there one kind of metal clay that is your favorite? 
Terry Kovalcik: I was first introduced to Precious Metal Clay in 1999 and have worked with it ever since. So that makes it 16 years. As for a favorite, it’s hard to say, I do find myself using the 960 hybrid PMC clay a lot lately. My approach is to pick the best clay for the job. PMC 960 works well for many different techniques, it’s strong and versatile. Continue reading…

2015 Saul Bell Design Award Finalists-Metal Clay Category: PART 1 of 5

Recently one of our favourite jewellery supply companies announced the finalists for in their annual design contest.  The 15th Annual Saul Bell Design award, sponsored by Rio Grande, is named after the father of one of the owners of the company.  If you are not familiar with the contest or Saul Bell, here is a lovely video explaining the history of the contest and a short biography of its namesake.

The mandate of the contest is clear, “We’re looking for an original vision, a fresh take on traditional methods and materials and a mastery of your craft. We want you to stretch the boundaries of your capabilities as a designer and as a jeweler.” (For more information about the contest and the judging please see their website.)  Every year fellow artists enjoy seeing the finalists and guessing as to who is the winner.  This year is no different, and so over the next few days we’ll present a brief selection of Q&A’s to the finalists in the metal clay category along with an image of their piece.

First up, we interview two time winner, Ivy Solomon.  Yes that’s right–she has won twice in the metal clay category.

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2004 Saul Bell Design Award First Place-Metal Clay Category- Ivy Solomon.

Continue reading…