Artist Profile – Marco Fleseri by Julia Rai

Chicago based jewellery maker Marco Fleseri has been working with metal clay since 2003. “I made some crude dangly shapes and textured them using the point of a toothpick,” he told me. “I knew it had potential, particularly for creating things that would be difficult or impossible to produce using previous/ traditional methods.”

I asked Marco about his earliest memory of being creative. “When I was five years old I made some blobs that I thought resembled fish, using a papier-mâché I had fashioned by soaking crumpled facial tissue with glue. I sculpted the shapes and let them dry. I was later dismayed when I put my ‘fish’ into a bowl of water and they dissolved.”

Marco’s studio is in a building with other artists and I’m always interested to find out how organised other people are. “My studio is usually somewhat organized, unless I have several projects happening simultaneously.” I can relate to that!

Marco told me a bit about his creative process. “Sometimes I sketch things if I’m not sure how to execute them, in order to solve design challenges. Or if I have an idea for something that I know I might not get to for a while. Otherwise, I get an idea and immediately launch into making it. Sometimes the finished piece varies wildly from where my imagination started.”

He uses a combination of techniques to create his designs. “As metal clay is more expensive than working with sheet, wire, etc. I often use traditional metal-working techniques in conjunction with metal clay in the same piece.”

I asked Marco what influences his work. “Geometry, shapes, and patterns found in nature, machinery, architecture, and ancient art and adornments. I look at all of these, and make new variants on the shapes and combinations that resonate with me.”

So what is his style? “I don’t have a singular style, but rather three: very biological/organic, geometric/mechanical, and ancient/ethnic. I find all three satisfying for different reasons, and they keep my work from all looking the same.

Marco has done some teaching and I asked him about it. “I’ve taught beginning metal clay workshops and would like to do more of that. It’s fun watching students see the potential for what’s in their hands, and the excitement of seeing their efforts realized as metal objects.”

I asked Marco if he has a favourite piece of work. “My Helios pendant, which for me in 2009 was a triumph of combining the techniques of fabrication, metal clay and stone-setting.”

Finally, I asked Marco where he sees his work going in the future. “I would like to do more stone-setting, as I have collected some beautiful specimens that I want to include in upcoming work. I’ll go wherever the voices tell me to go…” he said with a smile.

To see more of Marco’s work, visit him online here…

Julia Rai is a teacher, writer and artist working in a variety of media. She is the director of the Metal Clay Academy and runs the Cornwall School of Art, Craft and Jewellery. She finds inspiration in science fiction and fantasy and loves a good story where disbelief can be suspended in favour of wonder. Her practical and ultra-organised side is always vying for attention alongside her creative and messy side. Each is trying hard to learn from the other and live in harmony.

Artist Project Series: Marco Fleseri

This project is the third in a series presented by Cool Tools.  A dozen artists will present projects that showcase their personal style and artistry using EZ960™ Sterling Silver Clay. Come and enjoy this unique opportunity to look over the shoulder of some of the world’s premier metal clay artists as they work.

Marco Fleseri presents a project that artists of all levels will enjoy. By combining fine silver with the metal clay he has taken away many issues with shrinkage and it makes the project more economical too!  Enjoy and feel free to share your results with the artist.

Cuff Bracelet Project by Marco Fleseri
This is a how-to guide for creating your own version of my cuff bracelet which I called “Nelumbo vertabralis.” Inspired by vertebrae and lotus flower petals (“nelumbo” is the genus name for the lotus family of plants), this bracelet has an architectural quality while still looking very intentionally organic / biological.

For this bracelet I used EZ960™ Sterling Silver Clay, which is a premixed formula that can be fired in one stage on an open shelf (no need for carbon). Continue reading…