Part two: Artist Project Series Liz Sabol
A solar eclipse is rare and unusual, so is this creative bracelet by Cynthia Thorton! Create something unique with this multi-media project that combines EZ960™ Sterling Silver Clay, resin, polymer clay and beads and finishes of your choice! Thank you to Cool Tools for sponsoring this series of projects. Continue reading…
In January we put out a call to those interested in a design challenge. We offered up identical boxes of vintage jewellery making supplies from CJS Sales in New York City. Each designer received the same collection and could make whatever they wanted to. The only parameters were:
-You can use the materials you were sent any way you want and with any media.
-Must use 4 pieces of design kit in your finished piece. (1 piece = 1 bead, 1 component, or 1″ of chain)
Our Judge: Donna Greenberg, a mixed media artist from New Jersey. She enjoys mixing materials, colours, and textures in her jewelry and sculptures in unexpected ways. “Pairing smooth, dull surfaces with a coarse piece of glittering pyrite; delicate pearls perched in a volcanic explosion of highly textured polymer; low end man made materials paired with the luxury of silver or bronze are the kind of studies that gets my heart beating loudly. The thrill for me is in balancing these diverse elements into a cohesive statement.” Continue reading…
Syringe clay is a fun and whimsical way to add delicacy and design interest to your work. Unfortunately, most of the metal clay artists I know seem to be adverse to working with syringe clay because it can be difficult to control. It’s true for me too! However, using the water brush method described below, most imperfections in application can be easily corrected so don’t limit your possibilities. Syringe away!!
At the end of the article, Roxan has included several images of her syringe work for inspiration! With thanks to Mitsubishi Trading Materials and PMC Connection for sponsoring this special series of projects.
I have been fascinated by automata since childhood visits to the Science Museum in London. I remember turning the handle on the Archimedes screw exhibit and seeing the little man turn his own handle in time with me. As the water came up through this cause and effect, I was totally fascinated by how that worked. When I first saw Kim Nogueira’s metal clay automata I was blown away by the ingenuity of the technical aspects but also by the stories and themes behind the pieces.
Kim was born and raised in the small New England town of Northampton, MA and now lives in St John, in the US Virgin Islands. “For the past 25 years, this little island has been my home, where I raised my wonderful son,” she explained. “Two thirds of the island is protected by the National Park, and the hiking and snorkeling is fabulous here. It is a very tiny island however, measuring about nine miles by 12 miles. Elevation reaches from sea level to 1200 feet, which if you ever run or walk our annual famous 8 Tuff Mile Race, which runs through the center of the island from one end to the other, you will get to experience most of that elevation change. I have only done this once, and that was enough!”
Rachael Osborne has created with the help of Lisa Cain’s expertise, quite possibly the largest item to date in metal clay! The bowl pictured measures 290mm x 140mm (approximately 11.5″ x 5.5″).
Their epic journey began with Rachel winning the prestigious Goldsmiths Precious Metal Bullion Award in 2016. This enabled her to recreate her pewter bowls in sterling silver. As Rachael and her tutors at college pondered over the construction of such a bowl, they considered several traditional silversmithing options. Casting, Etching, Raising and so on. However, each technique presented specific obstacles. Continue reading…
This special series of projects by master metal clay artists is proudly sponsored by Cool Tools. (Please note: click on images to enlarge.)
The beauty and enchantment that I am surrounded by here on this extraordinary planet keeps me feeling like I never grew up. I share this child-like feeling of awe and wonder with others by adding the surprise of movement to my jewelry. I hope you give it a try too!
For this advanced project, I will be making a hollow form box pendant with a side lever that creates a seesaw movement of two figures inside. In mechanical terms, this is a fulcrum; in jewelry terms, it’s magic! The pendant has a back panel that can be removed by a screw. Read through the instructions several times to get an idea of the steps involved and the design possibilities, considerations and challenges to watch for as you construct the piece. Continue reading…
I love texture and anyone who knows me knows my work typically features lots of it so when I first saw Kris Kramer’s work, I was instantly taken by the fabulous textures she uses. And the haunting faces of the animals in her work are so full of feeling. Kris is the owner and artisan at Kris Kramer Designs.
Kris lives in Whitefish, in northwest Montana, which is about 30 miles from the Canadian border. “I live with a little dog, Rose, in a wooded area in a small tourist town that offers recreation all year round. My daughter lives about 120 miles away, and we visit each other often.”
I asked her where she was brought up. “I was raised in Illinois and Wisconsin,” she told me. “I lived in New York in early school years and worked in northern Minnesota in summers during high school.” Continue reading…
My creations need to hold meaning for me, which is why this necklace has a hand-drawn, personalized version of a Fleur de lis. The Fleur de lis has had many meanings over time and in various contexts. To me the flames represent Love on the left, Power on the right, and Wisdom in the middle. The band holding them together signifies each one of us becomes a enlightened sovereign being when these three flame aspects – Love, Power and Wisdom – are in balanced.
You can make this necklace with whatever design you choose; that is, you do not have to use a Fleur de lis. And do select your own texture and doming shape(s).
It is helpful if you have a clear image in your mind and better yet a sketch. It matters not if your creation turns out like your sketch. For me, just looking at the sketch I begin to understand how I will need to construct the piece and if there are any obstacles to do so.
Firing glass with bronze might sound impossible, but it is actually very easy to do. You still need to use carbon to assist the bronze with sintering. So, how do you protect the glass from getting carbon in it?
In this tutorial, I will explain how to build a steel mesh box to place over your glass during firing. This technique allows for limitless design options. And, white bronze is the perfect non-precious metal to use with your glass. It fires in exactly the correct range for adhering the glass to the surface of it.
We will be using Five Star Metal Clay and a two-phase firing schedule.