Metal Clay Textures Are Everywhere You Look! By Margaret Schindel

TexturesOne of the key reasons for choosing metal clay as a jewelry making material is that it allows you to create or reproduce virtually any texture in metal quickly and easily.

What Can You Use to Add Texture to Metal Clay?

Although it sounds clichéd, you really are limited only by your imagination. There is a dizzying selection of commercial plastic, polymer or silicone texture mats and sheets, rubber stamps, texture rollers, molds, etc. that you can purchase to impress patterns in fresh clay. There also are many different ways to make your own one-of-a-kind texturing materials and tools. You can use water etching, carving, drilling, filing and metal clay appliqué on dried clay. After firing you can use traditional metal working techniques such as hammering to alter the topography of the metal’s surface. Continue reading…

Reviews: Tool Talk By Pat Evans

Tool Talk By Pat Evans – USA

artway-shape-frame-gear-set-1ArtWay Tools Gear Shape Frame Sets
Gears are a popular motif in jewelry these days, especially for Steampunk style creations. After trying several ways to create this shape, I was happy to come upon ArtWay Tools’ line of Gear Shape Frame Sets. I tested the Small Gear Set 5, which has three different sizes of gears, all shaped alike. Gear shapes formed with Shape Frames interlock neatly, so combinations of sizes can be interconnected for different designs. Continue reading…

Artist Profile: Gail Crosman Moore

-Artist Profile by Julia Rai

IMG_6558_2 - Version 2The first thing that struck me about mixed media artist Gail Crosman Moore’s work was the wonderful organic quality she achieves with the media she employs. From the warm softness of felt to the cool solidity of glass and metal, she captures flowing natural forms in a wonderfully eclectic body of work. Continue reading…

Book Reviews: by Pat Evans


Metal Clay Artists’ Library By Pat Evans – USA

51PN-UgK6nL._SX392_BO1,204,203,200_Lisa Barth, Designing from the Stone: Design Techniques for Bezel Setting in Metal Clay Using the Stone as Inspiration (Author, 2011)

It’s hard not to gush about Lisa Barth’s book on designing bezel settings for stone cabochons. In a straightforward, conversational tone, Barth takes her readers from a survey of basic design tenets to how to apply those tenets while designing settings around the characteristics of an individual stone. Her teaching is so clear and thorough that one of my students who had never before set a bail in her short metal clay career was able to produce a stunning pendant and pair of earrings just by following the instructions in this book. Although I’ve been using bezel settings for years, I feel that Designing from the Stone has helped me take a big leap forward in thinking about my work. Continue reading…

STUDIO BUSINESS: Creative Sparks and Embers by Linda Stiles Smith

Creative Sparks – and Embers By Linda Stiles Smith

creative_sparks_cutie_mark_wip_by_aqwrao-d5ot53nWhat sparks your creativity? Do you need a bag of materials to play with? Do the sparks fly when you read the details of a challenge? Or can you launch into creative euphoria just at the mention of a word? Can you turn it on – and off – with little effort, or does it take a level of concentration that requires a block of time and a specific place? Does a visual cue sprout wings and become an artistic image in your mind? Continue reading…

Reviews: Fire Mountain Gems “Barely There Chain” and the 3-D Metal Clay Creator by Metal Adventures

FMG Chain Fire Mountain Gems and Beads has introduced a light weight sterling silver chain.  When they say “light weight” they mean it!  When I first received the sample I was surprised how thin it was.  I’ve never worked with such thin chains.  My work is more on the “robust” side.  While attending a few art and craft shows recently, I took the time to chat with jewellery makers who had “petite” jewellery in their booths.  All were surprised that the “barely there” jewellery was the hot item this year especially for buyers between 25 and 35 years old. Continue reading…

Photo Inspiration for Artists

Silver Clay Embellishments on Lampworked Glass Beads

Ann Davis_MC on Glass_10.jpgI have been trying to combine metals with glass ever since I took my inspiring first glass beadmaking class from Kate Fowle Meleney nearly 20 years ago.. The advent of low-fire silver metal clays it has made it easy to add silver embellishments to glass, which not only is a beautiful touch but also is eminently practical given the rising cost of silver. Even a small amount of embellishment allows you to make something unique very quickly. You will need to buy or make a long-necked lampworked glass bead from soda-lime glass (aka “soft glass”), which has a COE (coefficient of expansion) between 90 and 104 and is manufactured under a number of brands including Effetre (formerly Moretti), Bullseye, Lauscha, Vetrofond and BellaDonna, among others. The secret to a successful outcome is working “wet” with the silver clay and using thick PMC3™ oil paste to adhere it to the glass.

Author: by Ann Davis – USA     Photos: H. Caldwell Davis
Edited by Jeannette Froese LeBlanc, Margaret Schindel and Joy Funnell.

Eye Candy/Samples of Ann Davis’ work to inspire you for this project:
Ann Davis_MC on Glass_15.jpgAnn Davis_MC on Glass_12.jpgAnn Davis_MC on Glass_16.jpg

 

Tips: Keeping Metal Clays Moist.

Whenever I teach a metal clay class I always see students carefully re-wrapping their metal clay and putting it back into the packaging. I hate to see fresh metal clay dry out so I show my students several ways to store metal clay. Here are a few of my favourites for keeping metal clay either lump or syringe types ready to use and in their optimal condition.

111831Long Term Storage
Clay: There are several ideas for long term storage. Some people like to use pressed powder containers with a wet sponge on top. Others have purchased different storage containers from metal clay sellers. I find the lotion sample containers from the make up counter to be cheap and plentiful. I like to have containers dedicated for one type of clay. Simply write the type of clay on the lid. A small piece of wet sponge can be added for really long term storage.
Syringes: I have a few containers that hold water and seal off the syringe. I like this one by Linda Stiles Smith which is sold by Rio Grande. Continue reading…

What’s in a name? My Struggle to Choose a Business Name.

name tagChoosing a name for my business has proven to be harder than it was to name my children!

I have had several businesses over my career as an artist. Each business name seemed to fit the business at the time, but now looking back some of the names seem lame. For example: I live in an old fashioned red schoolhouse—complete with a belfry. When we moved here I named my studio…. “The Schoolhouse Studio”. Yup. Wow eh? Okay it fit the location. When I started a magazine for Metal Clay artists it needed a name. I agonized over that name. Then I realized “Metal Clay Artist Magazine” fit…most of the time. Some newsstands insisted on putting the magazine in with Ceramics for the first few years and not in jewellery making section. Clearly there was room for improvement on the magazine name. When I had a brick and mortar bead store…the name was simple and clear. Guess what I named it…. wait for it… “The Bead Store”! Despite this clever name I still had people come in and ask what we sold. Ugh. Can’t win maybe? Continue reading…