“Wonderful, wonderful, wonderful, the best weekend ever” “I’ve been to lots of metal clay conferences but this one stood out for me for the warmth and enthusiasm of the delegates” “It was just magical, everyone was so welcoming and friendly” “When I left I felt like I’d walked back through the door from Narnia” “I learnt so much and made so many new friends, and was still buzzing when I got home”
These are just a few of the comments from the attendees of the inaugural ‘You can make it’ event, who left at the end of the weekend feeling inspired, happy and with lots of new friends!
You Can Make It 2017 took place in Wareham, Dorset, UK on the 24th – 26th March 2017. It was the brainchild of Petra Cameron Wennberg and was organised by her company Metal Clay Ltd. When Petra first approached me in 2016 to see if I might be interested in teaching at it I jumped at the chance. There hadn’t been any kind of large metal clay gathering in the UK for quite a few years and we were long overdue one. Petra was quite clear. She wanted to organise an event, but to be sure they could make the pricing viable they were asking if the tutors would be prepared to give their time for free – of course I said yes, and so did everyone else! We certainly weren’t going to miss out on it. Continue reading…
For eight years, Julia Rai and I have worked together to promote jewellery making. Julia writes the artist profiles for Creative Fire and someday I’ll get her to sit still long enough so that I can interview her! Meanwhile this prolific writer and artist has a newly published book to share. The book includes 17 project tutorials giving step by step instructions to make beautiful jewellery in a home environment.
“This is the first book I’ve written and it was really interesting to see the process from start to finish. I have to say, Crowood Press who published the book, were terrific to work with. They guided me as a newbie author every step of the way and were such nice people to work with. It’s so exciting to see it finally in print and I really hope people enjoy it.” Continue reading…
As soon as I saw Polish artist Iwona Tamborska’s work, I knew I had to find out more about her. As a fan of fantasy, myth and fairy tales myself, her work really spoke to me. I asked Iwona what she considers her job title or profession to be. “That is a very good question as I noticed it is quite hard to explain,” she smiled. “I usually start with: ‘I am an artist and work with metal.’ If someone wants to know more, I continue: ‘My works are usually minimal scale sculptures and often have a use as jewelry’. I used to try to use the term ‘art jeweller’, but somehow people had the wrong idea of my work.” Continue reading…
This is the 5th project in our ongoing series of tutorials sponsored by Cool Tools. All projects use their new silver metal clay EZ960™ Sterling Silver. This project is quite advanced, however, artists of all levels will learn something new! Be inspired by the way Iwona uses a drawing for the plan and layout of her pieces, or by her use of colour as she adds stones and coloured paste to this project! Those who want to learn about hollow forms can follow along and learn about using a burn out media. This beautiful pendant is wearable sculpture! Continue reading…
Depending on the type of metal clay you are using, from original fine silver to base metal clays, there are a number of options for firing. This may include anything from a kiln to a simple hand-held torch.
One of the processes of creating jewelry with silver metal clay that got me addicted was the ability to use a something as simple as a butane torch for firing. In as little time as two minutes, I could have a beautiful pair of earrings or a pendant ready to wear.
TORCH FIRING — —
When teaching a beginner class, I only demonstrate torch firing as a way to help the students understand how easy it is to set up your metal clay studio with minimal cost. Continue reading…
Strata Ring by Kathy Van Kleeck is presented by Cool Tools and is part of a special series of projects designed by metal clay master jewellery makers. Kathy’s unique style and openness about her process is as refreshing as her jewellery.
(Note: click on images to enlarge)
The inspiration for this ring was born out of my curiosity about how thin I could work with the new EZ960® Sterling Silver Clay and still maintain structural integrity. Favorite themes in my work are repetition of form and layering of elements. The image of stratified layers came to mind and creating this effect in rings seemed like a good place to start.
I started off making what I call “washer” rings, thin and flat, but with my signature “wonky and weathered” edges.
Wearing a loose stack of the new “strata” rings worked just fine, but as a project to share seemed a bit lackluster. The idea of joining the rings via rivets, one small to stabilize the stack and one large to secure the group, seemed like it would be visually compelling, not to mention good fun. Continue reading…
At an invitational gallery show in France, Metal Clay jewellery by seventeen international artists is featured until June 11th. The show is the dream project for artist Angela Baduel-Crispin. PÔLE BIJOU GALERIE in Baccarat, France will display the works for the next four months. Are you unable to travel to France to see the show? We have a virtual tour of the show. The artists’ pieces and information is organized by country.
This exhibition is the first of its kind. It focuses on giving visibility to both this relatively new material and to artists of international renown who have pushed metal clay to it’s highest potential! Seventeen international artists (all women) each with her own their different styles and techniques. 70% of the work in the show is jewelry and the other 30% or so is composed of objects in metal clay. We were very thankful that number of artists were invited and submitted their work for the show. Selection was strongly based on originality of the work and technical proficiency.
The show started on January 16th and runs until the 11th of June. The official opening was on February 9th.
Tribal Warrior Woman symbolizes Every woman, at once simple and complex, guarded and protective, secure and vulnerable, functional and decorative. She stands strong, fights fiercely for her own, opens herself with love, enfolds all into her armour for both defense and nurture. Her chains are not only the ties that bind but also the connections between women around the world. Made from the very earth of Australia, Warrior Woman is accompanied by Wolf, a symbol of her visionary creator, loyal yet fierce protector/companion giving both strength and worldly knowledge.
Like every woman, Warrior Woman gives pieces of herself to nurture and enhance others, remaining whole in and of herself. Appearing to be nothing more than a statue, her armour is symbolic and trans-formative, revealing interconnected pieces of exquisite jewellery. Functional and decorative pieces include her arm guards becoming earrings; her shield, a stick pin; the bow and arrow across her back, a bracelet.
Warrior Woman was sculpted completely by hand from Aussie Metal Clay. Unlike traditional metalwork in which precise measurements remain true, metal clays shrink varying amounts during both drying and firing stages. Using five colours in two different firing temperature ranges, Kim combined beauty and functionality, seamlessly fitting the jewellery pieces, while accounting for the differences in shrinkage, malleability, and strength of the two High Fire colours of the armour and three Medium Fire colours of the body, the like types fired together. During her creation, Kim also perfected a unique metal clay glue enabling finer, more delicate pieces to be invisibly affixed.
Kim, a lifelong Australian, has been a renowned designer of dog jewellery and accessories for many years. She pioneered personalized pet sculptures using traditional metal casting techniques. A new world unfolded when introduced to metal clay. “Knowing No Boundaries” Kim’s motto, encourages her to be an innovator in metal clay. Warrior Woman’s inspiration appeared as both form and symbolism in a dream, with a personal message about life’s battles. Kim relates, “Sculpting Warrior Woman pushed me to areas I had not ventured before. She helped make me into the sculptor I am today, and for that I am forever thankful to her.”