We are proud to present the 2nd project in a series brought to you by Cool Tools using their new metal clay, EZ960™ Sterling Silver Metal Clay. Cindy Miller created a beautiful project that both new and experienced metal clay artists will enjoy.
Images of owls have been recorded in art and literature throughout history from the Greek and Romans to numerous Native American tribes. The owl represents wisdom and is associated with inner sight. The owl is associated with the night it has played on the imagination of people throughout time. Here’s a link to learn more about Owl mythology. This is Cindy’s interpretation of an owl totem amulet necklace.
To learn more about our featured artist, please see Cindy’s artist profile by Julia Rai. Cindy was very candid and talked about her journey to becoming a full time jewellery designer. Continue reading…
I’ve been an admirer of Cindy Miller’s work for a long time so I was really happy to have the opportunity to find out more about her for this profile.
(Photo: “Branch with Labradorite and Drops” Necklace by Cindy Miller)
Raised in Alabama, Cindy is now a full-time studio artist. “I’m single and live in Athens, Alabama with my Maine Coon Cat Taz – she’s a big girl and ‘helps’ me a lot,” she smiled. “I have also been adopted by several feral cats that live in the neighborhood so I always have an escort to my car. I live on the Tennessee River next door to my sister and her husband. They have created a beautiful retreat at the river and being there is very relaxing.”
Let’s face it: we all love buying new tools, but they sure can put a dent in our wallets. Luckily, you probably already have the makings of unique collagraphic texture sheets as close as your kitchen or studio junk drawer. A collagraphic texture sheet is a collage that has been sealed with a polymer sealer so you can use it with metal clay. These texture sheets are simple to create, and ideas for different textures are limited only by your imagination.
(This pendant was textured with a cheesecloth texture sheet. To create a dramatic effect, only part of the clay was textured.)
An online exhibition showcasing some of the most exemplary work currently being done in metal clay. The exhibition, which was conceived by Susan Silvy and co-curated with Christine Norton, is being hosted on Crafthaus (www.crafthaus.ning.com), a subscription based, juried, online artisan community that is home to many professional artists in all mediums.
“One of the biggest obstacles I have had to deal with as a metal clay artist is the widespread misconceptions regarding metal clay,” Silvy explains. Part of the problem is that it was introduced only in the mid-1990s, and in the context of the established media that have been used throughout art jewelry, it is a comparative newborn. “It has been fascinating to watch this material capture the creative imaginations of artists, to see the years of experimentation, and to realize that metal clay is now beginning to reach its stride.” She and Norton wanted to take advantage of the opportunity to showcase some of the best and most inspiring metal clay work to a large audience of other high-level, professional artists.
The concept of the exhibition elicited such a positive response that it is being presented in two parts. The first part ran from April 14 through May 14, 2011. The second part will debut on July 17 and run through August 17 2011. The exhibition includes work from 60 respected metal clay artists that were selected by a jury from among hundreds of entries based on their demonstrated mastery of the medium. The jurors for this show were: Ann Robinson Davis, Jeannette Froese LeBlanc and Gwynne Rukenbrod.
A full-color print catalog of the exhibition was designed by Hallmark artist Sam Cangelosi, all profits went to CERF, the Craft Emergency Relief Fund. “Early on, Jackie Truty and Katie Baum from Art Clay World generously volunteered to support the exhibition by producing a print version at the Metal Clay World Conference. Their support is what really got our adrenaline going, and led Susan and me to come up with a plan to bring a more expanded exhibition into catalog form to support CERF ,” Says Norton.